Work of the Dead
Cod EAN 9780691180939
Preț
205,63 lei
228,48 lei
−10%
Fără reducere reală
Cel mai mic preț din cele 9 zile dinainte de 22 octombrie 2026 a fost 182,78 lei, mai mic decât acum. Reducerea de −10% e calculată față de prețul vechi afișat de magazin (228,48 lei).
Peste prețul mediu din ultimele 27 de zile
Media: 204 lei. Cel mai mic preț a fost 182,78 lei, ultima dată pe 21 octombrie 2026; acum e cu 13% mai mult. Vezi istoricul
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În stoc la Libris Prețuri actualizate la 22 octombrie 2026, 16:15
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Work of the Dead
În stoc
205,63 leiCel mai mic preț înainte
228,48 lei
Istoricul prețului
| Perioada | Cel mai mic | Cel mai mare | Prețul mediu | Scăderi |
|---|---|---|---|---|
| De când îl urmărim (27 de zile) | 182,78 lei | 205,63 lei | 204 lei | 1 |
Vezi schimbările de preț
| Din data | Cel mai mic preț |
|---|---|
| 22 octombrie 2026 | 205,63 lei |
| 20 octombrie 2026 | 182,78 lei |
| 13 octombrie 2026 | 205,63 lei |
Descriere
The Greek philosopher Diogenes said that when he died his body should be tossed over the city walls for beasts to scavenge. Why should he or anyone else care what became of his corpse? In The Work of the Dead, acclaimed cultural historian Thomas Laqueur examines why humanity has universally rejected Diogenes's argument. No culture has been indifferent to mortal remains. Even in our supposedly disenchanted scientific age, the dead body still matters-for individuals, communities, and nations. A remarkably ambitious history, The Work of the Dead offers a compelling and richly detailed account of how and why the living have cared for the dead, from antiquity to the twentieth century. \n \n The book draws on a vast range of sources-from mortuary archaeology, medical tracts, letters, songs, poems, and novels to painting and landscapes in order to recover the work that the dead do for the living: making human communities that connect the past and the future. Laqueur shows how the churchyard became the dominant resting place of the dead during the Middle Ages and why the cemetery largely supplanted it during the modern period. He traces how and why since the nineteenth century we have come to gather the names of the dead on great lists and memorials and why being buried without a name has become so disturbing. And finally, he tells how modern cremation, begun as a fantasy of stripping death of its history, ultimately failed-and how even the ashes of the victims of the Holocaust have been preserved in culture. \n \n A fascinating chronicle of how we shape the dead and are in turn shaped by them, this is a landmark work of cultural history. \n
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