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Andreas Marks

Japanese Woodblock Prints - Andreas Marks

Cod EAN 9783836585545

Preț

116,64 lei

129,60 lei −10%

Fără reducere reală

Cel mai mic preț din cele 14 zile dinainte de 27 octombrie 2026 a fost 115,74 lei, mai mic decât acum. Reducerea de −10% e calculată față de prețul vechi afișat de magazin (129,60 lei).

Aproape de cel mai mic preț din ultimele 29 de zile

Cel mai mic preț a fost 115,74 lei, ultima dată pe 21 octombrie 2026; acum e cu sub 1% mai mult. În această perioadă prețul a scăzut de 2 ori și a crescut o dată. Vezi istoricul

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În stoc la Libris Prețuri actualizate la 27 octombrie 2026, 18:26

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  1. Japanese Woodblock Prints - Andreas Marks În stoc
    116,64 lei

    Cel mai mic preț înainte 129,60 lei

Istoricul prețului

Acum 116,64 lei. Cel mai mic preț din ultimele 30 de zile: 115,74 lei (20 octombrie 2026). În ultimele 29 de zile prețul minim a variat între 115,74 lei și 130,20 lei.
Prețul pe perioade
PerioadaCel mai micCel mai marePrețul mediuScăderi
De când îl urmărim (29 de zile) 115,74 lei 130,20 lei 122 lei 2
Vezi schimbările de preț
Din dataCel mai mic preț
27 octombrie 2026116,64 lei
22 octombrie 2026130,20 lei
20 octombrie 2026115,74 lei
13 octombrie 2026130,20 lei

Descriere

From Edouard Manet's portrait of naturalist writer Émile Zola sitting among his Japanese art finds to Van Gogh's meticulous copies of the Hiroshige prints he devotedly collected, 19th-century pioneers of European modernism made no secret of their love of Japanese art. In all its sensuality, freedom, and effervescence, the woodblock print is single-handedly credited with the wave of japonaiserie that first enthralled France and, later, all of Europe--but often remains misunderstood as an exotic artifact that helped inspire Western creativity. \n \nThe fact is that the Japanese woodblock print is a phenomenon of which there exists no Western equivalent. Some of the most disruptive ideas in modern art--including, as Karl Marx put it, that all that is solid melts into air--were invented in Japan in the 1700s and expressed like never before in the designs of such masters as Hokusai, Utamaro, and Hiroshige in the early 19th century. \n \nThis volume lifts the veil on a much-loved but little-understood art form by presenting the most exceptional Japanese woodblock prints in their historical context. Ranging from the 17th-century development of decadent ukiyo-e, or pictures of the floating world, to the decline and later resurgence of prints in the early 20th century, the images collected in this edition make up a record not only of a unique genre in art history, but also of the shifting mores and cultural development of Japan. \n \nWe discover the four pillars of the woodblock print--beauties, actors, landscapes, and bird-and-flower compositions--alongside depictions of sumo wrestlers, kabuki actors, or enticing courtesans--rock stars who populated the floating world and whose fan bases fueled the frenzied production of woodblock prints. We delve into the horrifying and the obscure in prints where demons, ghosts, and otherworldly creatures torment the living--stunning images that continue to influence Japanese manga, film, and video games to this day. We witness how, in their incredible breadth, from everyday scenes to erotica, the martial to the mythological, these works are united by the technical mastery and infallible eye of their creators and how, with tremendous ingenuity and tongue-in-cheek wit, publishers and artists alike fought to circumvent government censorship. \n \nThis edition compiles the finest extant impressions from museums and private collections across the globe, accompanied by descriptions to guide us through this frantic per

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