Collected Sonnets - Edna St Vincent Millay
Cod EAN 9780060910914
Preț
101,12 lei
112,36 lei
−10%
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Cel mai mic preț din cele 9 zile dinainte de 22 octombrie 2026 a fost 89,89 lei, mai mic decât acum. Reducerea de −10% e calculată față de prețul vechi afișat de magazin (112,36 lei).
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Collected Sonnets - Edna St Vincent Millay
În stoc
101,12 leiCel mai mic preț înainte
112,36 lei
Istoricul prețului
| Perioada | Cel mai mic | Cel mai mare | Prețul mediu | Scăderi |
|---|---|---|---|---|
| De când îl urmărim (25 de zile) | 89,89 lei | 101,12 lei | 100 lei | 1 |
Vezi schimbările de preț
| Din data | Cel mai mic preț |
|---|---|
| 22 octombrie 2026 | 101,12 lei |
| 20 octombrie 2026 | 89,89 lei |
| 13 octombrie 2026 | 101,12 lei |
Descriere
Millay, Edna St Vincent: - Edna St. Vincent Millay was born in 1892 in Rockland, Maine, the eldest of three daughters, and was encouraged by her mother to develop her talents for music and poetry. Her long poem Renascence won critical attention in an anthology contest in 1912 and secured for her a patron who enabled her to go to Vassar College. \nAfter graduating in 1917 she lived in Greenwich Village in New York for a few years, acting, writing satirical pieces for journals (usually under a pseudonym), and continuing to work at her poetry. She traveled in Europe throughout 1921-22 as a foreign correspondent for Vanity Fair. Her collection A Few Figs from Thistles (1920) gained her a reputation for hedonistic wit and cynicism, but her other collections (including the earlier Renascence and Other Poems [1917]) are without exception more seriously passionate or reflective. \n \nIn 1923 she married Eugene Boissevain and -- after further travel -- embarked on a series of reading tours which helped to consolidate her nationwide renown. From 1925 onwards she lived at Steepletop, a farmstead in Austerlitz, New York, where her husband protected her from all responsibilities except her creative work. Often involved in feminist or political causes (including the Sacco-Vanzetti case of 1927), she turned to writing anti-fascist propaganda poetry in 1940 and further damaged a reputation already in decline. In her last years of her life she became more withdrawn and isolated, and her health, which had never been robust, became increasingly poor. \n \nShe died in 1950.\n
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