Challenge for the Actor - Uta Hagen
Cod EAN 9780684190402
Preț
167,35 lei
185,94 lei
−10%
Fără reducere reală
Cel mai mic preț din cele 18 zile dinainte de 31 octombrie 2026 a fost 148,75 lei, mai mic decât acum. Reducerea de −10% e calculată față de prețul vechi afișat de magazin (185,94 lei).
Sub prețul mediu din ultimele 29 de zile
Media: 174 lei. Cel mai mic preț a fost 148,75 lei, ultima dată pe 21 octombrie 2026; acum e cu 13% mai mult. Vezi istoricul
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Challenge for the Actor - Uta Hagen
În stoc
167,35 leiCel mai mic preț înainte
185,94 lei
Istoricul prețului
| Perioada | Cel mai mic | Cel mai mare | Prețul mediu | Scăderi |
|---|---|---|---|---|
| De când îl urmărim (29 de zile) | 148,75 lei | 194,34 lei | 174 lei | 2 |
Vezi schimbările de preț
| Din data | Cel mai mic preț |
|---|---|
| 31 octombrie 2026 | 167,35 lei |
| 22 octombrie 2026 | 194,34 lei |
| 20 octombrie 2026 | 148,75 lei |
| 13 octombrie 2026 | 167,35 lei |
Descriere
Uta Hagen, internationally renowned actress and author, has writen a major new book that is sure to be welcomed in the field of acting. Actor's World covers voice techniques, timing, and rhythm. It teaches how to establish the identity of a character, how to use physical senses and inner objects, and much more. \nTheoretically, the actor ought to be more sound in mind and body than other people, since he learns to understand the psychological problems of human beings when putting his own passions, his loves, fears, and rages to work in the service of the characters he plays. He will learn to face himself, to hide nothing from himself -- and to do so takes an insatiable curiosity about the human condition. \n from the Prologue \n Uta Hagen, one of the world's most renowned stage actresses, has also taught acting for more than forty years at the HB Studio in New York. Her first book, Respect for Acting, published in 1973, is still in print and has sold more than 150,000 copies. In her new book, A Challenge for the Actor, she greatly expands her thinking about acting in a work that brings the full flowering of her artistry, both as an actor and as a teacher. She raises the issue of the actor's goals and examines the specifics of the actor's techniques. She goes on to consider the actor's relationship to the physical and psychological senses. There is a brilliantly conceived section on the animation of the body and mind, of listening and talking, and the concept of expectation. \n But perhaps the most useful sections in this book are the exercises that Uta Hagen has created and elaborated to help the actor learn his craft. The exercises deal with developing the actor's physical destination in a role; making changes in the self serviceable in the creation of a character; recreating physical sensations; bringing the outdoors on stage; finding occupation while waiting; talking to oneself and the audience; and employing historical imagination. \n The scope and range of Uta Hagen here is extraordinary. Her years of acting and teaching have made her as finely seasoned an artist as the theatre has produce
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